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  NèoInternational What′s behind a movie? There′s the effort which takes the idea into action. But not just that. There are also scandals, cultural identities and surprises, made of luck and bravery. Like the lucky encounter of one of our writers with Woody Allen. Néo invites you to take part in a tour of the 10 most important movies set in 5 European cities and of the most amazing international events of the next few months.
Enjoy the read!.
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THE DARK SIDE OF CINEMA
The b-side of the movies
1. FESTIVALS AND SCANDALS
Every Film Festival has got to have its scandal: Cannes and its politics, Hollywood and its plastic movies, Venice and its unsuccessful movies...
(click here for the article with videos: Von Trier and Hitler, The Gladiator, Faust)
2. HOW TO BE JOHN MALKOVICH
How can you join the world of cinema and become a great director? There are two ways: attending film schools or ‘learning by doing′...
(click here for the article. Tips on film schools and how to get into a troupe)
3. NATIONAL IDENTITIES AND CULT MOVIES
Each Country has got a distinctive style. Let′s pin down the national identities of Italy, Spain, Germany, France and UK through their cult movies...
(Cult scenes: La Dolce Vita, Amelie Poulain, Goodbye Lenin, Trainspotting)
4. DIRECTOR'S WAY
The long way a director has to go, from script-writing to direction. How to find a producer and useful contacts, with tips by Frank Capra, Hitchcock and Truffaut to finally watch your dream on the big screen...
(click here for the article. Videos: Capra, Hitchcock, Truffaut and Disney President)
5. WOODY AND ME: BUMPING INTO A GREAT DIRECTOR
‘The first time I clashed into his car and the driver drove away, the second time I sneaked into the lift but he kicked me out. The third time it was my last chance...′
(click here for the article. Including the video: Woody Allen and ‘The last chance′)
 
City Parade Neo segui neo nel suo tour!
Vota i film in lizza sulla community di néo
neoenews.com  néo n° 26 - October 2011 edited by neoreporters.com Made by Ubivis srl
Issue edited by Susanne Kirchner, in collaboration with Antonella Libera and Mariangela Traficante (Italy), Miryam Oca (Spain), Maria Lia Malandrino (UK), Viktorija Putneva (Rus). Directed by Andrea Zoppolato.
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